I am a music composer and producer that aims to provide high quality audio content across a wide spectrum of media platforms, including (but not limited to); video games, backing tracks and instrumentals for singer/songwriters, sound design, soundtracks and jingles for film and TV, radiophonic productions for radio and electro-acoustic compositions. Formal education in the disciplines include a Batchelor of Science degree in ElectroAcoustic Music (Sonic Art). As a performer, I am a highly flexible keyboard player able to play in a variety of styles and utilize many keyboard based instruments adapting my technique to efficient including Piano, Harmonium, Harpischord and Melodica. Self-taught, with a gift for improvisation and playing by ear, I can quickly pick up parts for imitation as well as compose memorable themes and motifs at the drop of a hat. Music theory is strong as is an understanding of the theory surrounding the audio/visual relationship. Combination of these practical and academic skills allows my work to provide your media productions with a unique and special sonic dimension. For Video Games I specialise in thematic orchestral arrangements that are lush in colour and deep in emotional impact. Backing tracks and instrumentals for singers are composed to fit within the electronica criteria; genres such as electro, breakbeat, hip-hop, dance, trance, house and chillout are all professionally represented. Soundtracks for film and TV and other media platforms can be specially designed, composed and produced to satisfy your production requirements, amalgamating the above styles for a truly original presentation. For Radio, I can write dramatic radio stories utilizing inspired sound design to transport the listener into fantasy worlds and short jingles and idents. Electro-Acoustic Composition academic acousmatic music can be composed on commission for your media exhibitions and installations. Rates for my work are subject to negotiation, depending on the client’s budget and specifications. I consider all proposals. My compositions typically utilize electronic sounds and digital systems for their production, usually arranged and sequenced via computer. My setup consists of a PC running packages Sonar Producer Edition, Cubase and FruityLoops, driving various synthesizers, including an expanded Roland XP-30, Kawai MP4 stage piano and a Roland DJ-70. When it comes to Foley, field and voice over recording I am covered with a selection of microphones and a high quality audio recorder so that capturing original sounds would never be out of reach.
I am a music composer and producer that aims to provide high quality audio content across a wide spectrum of media platforms, including (but not limited to); video games, backing tracks and instrumentals for singer/songwriters, sound design, soundtracks and jingles for film and TV, radiophonic productions for radio and electro-acoustic compositions. Formal education in the disciplines include a Batchelor of Science degree in ElectroAcoustic Music (Sonic Art).
As a performer, I am a highly flexible keyboard player able to play in a variety of styles and utilize many keyboard based instruments adapting my technique to efficient including Piano, Harmonium, Harpischord and Melodica. Self-taught, with a gift for improvisation and playing by ear, I can quickly pick up parts for imitation as well as compose memorable themes and motifs at the drop of a hat. Music theory is strong as is an understanding of the theory surrounding the audio/visual relationship. Combination of these practical and academic skills allows my work to provide your media productions with a unique and special sonic dimension.
For Video Games I specialise in thematic orchestral arrangements that are lush in colour and deep in emotional impact.
Backing tracks and instrumentals for singers are composed to fit within the electronica criteria; genres such as electro, breakbeat, hip-hop, dance, trance, house and chillout are all professionally represented.
Soundtracks for film and TV and other media platforms can be specially designed, composed and produced to satisfy your production requirements, amalgamating the above styles for a truly original presentation.
For Radio, I can write dramatic radio stories utilizing inspired sound design to transport the listener into fantasy worlds and short jingles and idents.
Electro-Acoustic Composition academic acousmatic music can be composed on commission for your media exhibitions and installations.
Rates for my work are subject to negotiation, depending on the client’s budget and specifications. I consider all proposals.
As a digital composer my compositions typically utilize electronic sounds and digital systems for their production, usually arranged and sequenced via computer. My setup consists of a PC running packages Sonar Producer Edition, Cubase and FruityLoops, driving various synthesizers, including an expanded Roland XP-30, Kawai MP4 stage piano and a Roland DJ-70.
When it comes to Foley, field and voice over recording I am covered with a selection of microphones and a high quality audio recorder so that capturing original sounds would never be out of reach.
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Tags: Alasdair, Composition, digital, Latest, Murden